Jeff koons wife
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Jeff Koons
American sculptor and painter (born 1955)
Jeffrey Lynn Koons (; born January 21, 1955)[1] is an American artist recognized for his work dealing with popular culture and his sculptures depicting everyday objects, including balloon animals produced in stainless steel with mirror-finish surfaces. He lives and works in both New York City and his hometown of York, Pennsylvania. His works have sold for substantial sums, including at least two record auction prices for a work by a living artist: US$58.4 million for Balloon Dog (Orange) in 2013[2] and US$91.1 million for Rabbit in 2019.[3][4]
Critics come sharply divided in their views of Koons. Some view his work as pioneering and of major art-historical importance. Others dismiss his work as kitsch, crass, and based on cynical self-merchandising. Koons has stated that there are no hidden meanings or critiques in his works.[5][6]
Early life
Koons was born in York, Pennsylvania, to Henry Koons and Nancy Loomis. His father[7] was a furni
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Jeff Koons Biography
American Neo-Pop artist Jeff Koons is famous (and perhaps infamous) world-wide for his irreverent large-scale sculptures of colorful mirror-polished balloon animals. His chromatic balloon dogs, monkeys, and swans grace public spaces, museums, and private homes across the globe. Koons was born in Pennsylvania in 1955 andĀ attended the School of the Art Institute of Chicago and the Maryland Institute College of Art in Baltimore. He began making what are now his iconic monumental works in the early 80s, playing on idea of banality, popular culture, classical aesthetic, and high-brow/low-brow dichotomies. In a sign of exuberant self-awareness, Koons started a series entitled Banality (1988) which included a life-size gold-and-white sculpture of Michael Jackson and his pet chimpanzee Bubbles. Though most well-known for his sculptural work, Koons has also produced a prolific amount of 2D work, including a series of large paintings entitled Easyfun-Ethereal, depicting phantasmal landscapes of disembodies body parts, food, and animals collaged together in a fascin
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Summary of Jeff Koons
Deriving inspiration from everyday items including children's toys, cartoon characters, porcelain figurines, and party decorations, Koons' appropriates advertising campaigns and consumer goods alike. In doing so, he initiates a dialogue about the role of material objects in our lives and the consumerism of society as a whole. Many of his pieces look cheap, but are expensive, an ingenious reversal of economic logic that forms the basis for his commercial success. Rather than offending the art snob, Koons has challenged top collectors to revise their notions of what is fine art. This marketing strategy has been very successful, and his work garners some of the highest prices of any living artist. A significant departure from the modernist ideal of the misunderstood visionary, Koons is the anti-modernist, a shrewd, self-proclaimed crowd-pleaser, and avid promoter of his own work. This has made him a very divisive figure in the art world and he has drawn criticism for the kitsch, crude nature of his art, and the objectification of women in many of his pieces.
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