Giotto lamentation analysis
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Giotto
Italian painter and architect (c. 1267 – 1337)
For other uses, see Giotto (disambiguation).
Giotto di Bondone (Italian:[ˈdʒɔttodibonˈdoːne]; c. 1267[a] – January 8, 1337),[2][3] known mononymously as Giotto[b], was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the Gothic and Proto-Renaissance period.[7] Giotto's contemporary, the banker and chronicler Giovanni Villani, wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature" and of his publicly recognized "talent and excellence".[8]Giorgio Vasari described Giotto as making a decisive break from the prevalent Byzantine style and as initiating "the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years".[9]
Giotto's masterwork is the decoration of the Scrovegni Chapel, in Padua, also known as the Arena Ch
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Lamentation (The Mourning of Christ)
Painting by Giotto
Lamentation (The Mourning of Christ) is a fresco painted c.1305 by the Italian artist Giotto as part of his cycle of the Life of Christ on the interior walls of the Scrovegni Chapel in Padua, Italy. [1]
The Scrovegni Chapel was built as a private chapel next to the Eremitani Monastery by the wealthy Scrovegni family and consecrated in 1305. Between 1304 and 1306, Giotto decorated the interior walls of the chapel with a series of frescoes depicting scenes from the Life of Jesus. The upper sections of the walls also include stories of Joachim and Anna, parents of the Virgin Mary. The works are considered a masterpiece. Both the monastery and the chapel now form part of the Musei Civici di Padova. [2]
Giotto is described as a Proto-Renaissance artist, preceding and paving the way for the early Florentine Renaissance painters, breaking the artistic mold of the Byzantine period by introducing naturalism and depth into his work.
In the painting, the body of the crucified Christ has been lowered from
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Summary of Giotto
Giotto is one of the most important artists in the development of Western art. Pre-empting by a century many of the preoccupations and concerns of the Italian High Renaissance, his paintings ushered in a new era in painting that brought together religious antiquity and the developing idea of Renaissance Humanism. Indeed, his influence on European art was such that many historians believe it was not matched until Michelangelo took over his mantle some two centuries on.
Giotto is best known for the way he explored the possibilities of perspective and pictorial space, and in so doing, he brought a new sense of realism to his religious parables. His interest in humanism saw him explore the tension between biblical iconography and the everyday existence of lay worshippers; bringing them closer to God by making art more relevant to their lived experience. His figures were thus infused with an emotional quality not seen before in high art, while his architectural settings were rendered according to the optical laws of proportion and perspective.
Accomplishments
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