Wassily kandinsky composition vii

Composition VI
ArtistWassily Kandinsky
Year1913
MediumOil on canvas
LocationThe State Hermitage Museum, St.Petersburg, Russia
Dimensions195 x 300 cm
76.8 x 118.1 in
Wassily Kandinsky Famous Paintings
Der Blaue Reiter, 1903
Composition IV, 1911
Composition VII, 1913
On White II, 1923
Composition VI, 1913
Composition VIII, 1923
Yellow-Red-Blue, 1925
Black and Violet, 1923
Composition X, 1939
Complete Works

It took Wassily Kandinsky almost 6 months to create Composition VI which was published in 1913. Initially, he intended the artwork to evoke baptism, flood, destruction as well as rebirth. Composition VI is regarded as Wassily’s most thought-provoking piece.

The painting comprises of a collage of a variety of semicircles, twisting lines and vibrant burst of colors. Twirl piles of matter spread all over like waves lit up by lightning flashes and soaked in thundery rainfall. This seems to create a universal calamity impression.

Technique

At first, Wassily outlined the piece on an oversized woode

Wassily Kandinsky

Russian painter and art theorist (1866–1944)

"Kandinsky" redirects here. For other uses, see Kandinsky (disambiguation).

In this name that follows Eastern Slavic naming customs, the patronymic is Wassilyevich and the family name is Kandinsky.

Wassily Wassilyevich Kandinsky[a] (16 December [O.S. 4 December] 1866 – 13 December 1944) was a Russian painter and art theorist. Kandinsky is generally credited as one of the pioneers of abstraction in western art. Born in Moscow, he spent his childhood in Odessa, where he graduated from Odessa Art School. He enrolled at the University of Moscow, studying law and economics. Successful in his profession, he was offered a professorship (chair of Roman Law) at the University of Dorpat (today Tartu, Estonia). Kandinsky began painting studies (life-drawing, sketching and anatomy) at the age of 30.

In 1896, Kandinsky settled in Munich, studying first at Anton Ažbe's private school and then at the Academy of Fine Arts. He returned to Moscow in 1914 after the outbreak of Wor

Composition VI, 1913 by Wassily Kandinsky

As the Der Blaue Reiter Almanac essays and theorizing with composer Arnold Schoenberg indicate, Kandinsky also expressed the communion between artist and viewer as being available to both the senses and the mind (synesthesia). Hearing tones and chords as he painted, Kandinsky theorized that (for example), yellow is the colour of middle C on a brassy trumpet; black is the colour of closure, and the end of things; and that combinations of colours produce vibrational frequencies, akin to chords played on a piano. Kandinsky also developed a theory of geometric figures and their relationships - claiming, for example, that the circle is the most peaceful shape and represents the human soul. These theories are explained in Point and Line to Plane.

During the studies Kandinsky made in preparation for Composition IV, he became exhausted while working on a painting and went for a walk. While he was out, Gabriele Munter tidied his studio and inadvertently turned his canvas on its side. Upon returning and seeing the canvas (but not yet recogn

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